By Dennis Huffington
April 12, 2017
There’s a saying: There’s no time like the present. Except
there is a time like the present, and National Geographic is premiering LA 92, a documentary that dug up every
nook and cranny of 1992 in the City of Los Angeles, a time just like the
present. LA 92’s edge comes from the use
of only archival footage tell its story. There are no interviews or experts,
just raw footage of each and every catalyst, narrated by everyday people and
news media alike. Even though I knew the outcome, I still sat in suspense
because every second is authentic.
About 35 minutes in, my stomach began to burn and I felt the
same disappointment and resentment as the real people in the documentary.
America hasn’t recovered from Ferguson, Baltimore, and police brutality continues
to deepen America’s political and racial divide, just like the divide in LA 92, the divide that has always been
in America. LA 92’s tagline, The Past Is Prologue, couldn’t be more
fitting. Just as the LA riots preceded Ferguson, riots in Watts preceded LA’s 92
riots.
From the opening of LA
92, it is crystal clear, that racism and police brutality have long been
intertwined. We see a police department that not only criminalizes a group of
people but also fails to protect that same group of people. The LAPD has long
been tarnished by accusations of racism, and there is enough footage in LA 92 to uphold those accusations. In
their own words, LAPD officers admitted they performed actions that were “violent”
and that “police work can be brutal.”
The smoking gun was the admission that, “In Los Angeles, the chokehold
is associated with death for blacks.”
One officer’s testimony in the Rodney King Trial sounds like
the blueprint for George Zimmerman’s testimony during his trial for the death
of Trayvon Martin in 2012. Both Zimmerman and the officer defended themselves
by saying they were so scared of being killed by their victims that they acted
violently and brutally in self defense. This mindset that African-Americans are
inherently violent is the dangerous societal side effect of the systematic
criminalization of African-Americans that has led to the murders of Michael
Brown, Freddie Gray, Philando Castile, Trayvon Martin, Alton Sterling, and
countless other African-Americans.
At one point of LA 92,
someone shouts out “Black lives matter!” long before the hashtag. That is the importance
of LA 92. This documentary is a case
study that examines a system and not just a city or a year. LA 92 could easily be BALTIMORE 2015 or FERGUSON 2014. The buildup, explosion, and aftermath were all the
same, yet we still have the same problems. The hysteria we see in LA is the
same hysteria I witnessed firsthand living in St. Louis during 2014. I remember
the boarded up storefronts and closed off highways. I also remember the burning
buildings in Ferguson and military tanks parked in random locations, ready to pushback
against any resistance.
Did we learn anything from any of those events? The answer
is yes, but there is still much more to learn and that is what makes LA 92 a must-see.
LA 92 premieres at Tribeca Film Festival on April 21, followed by a
screening tour including St. Louis on April 29, before premiering on National
Geographic on April 30.
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